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THF  A  M  A  yON^  Farce  in  Three  Acts.  Seven  males,  five  f e- 
lOCi  f\.l"lAt«V/liiJ  males.  Costumes,  modern;  scenery,  not 
difficult.     Plays  a  full  evening. 

THE  CABINET  MINISTER  IZZ.  'S,„?Te,.tS:   S 

tumes,  modern  society;  scenery,  three  interiors.  Plays  a  full  evening- 

riANHY  niPK"  Farce  in  Three  Acts.  Seven  males,  four  fe- 
LfnlJU  I  LrlvIV.  males.  Costumes,  modern;  scenery,  two  inte- 
riors.   Plays  two  hours  and  a  half. 

TIIV  r'AV  I  HRn  niTFY  comedy  in  Four  Acts.  Four  males, 
iniL  U/\I  LiV/IVU  V£U£iA  ten  females.  Costumes,  modern; 
scenery,  two  interiors  and  an  exterior.    Plays  a  full  evening. 

UTC  UniTCIT  TM  ni?ni7D  Comedy  in  Four  Acts.  Nine  males, 
niiJ  nUUOE.  Ill  UAUEiIV  four  females.  Costumes,  modern; 
scenery,  three  interiors.    Plays  a  full  evening. 

TUI7  UflRRV  UnPQIT  Comedy  in  Three  Acts.  Ten  males, 
inC  ntlDDl  flUlViJEi  five  females.  Costumes,  modern; 
scenery  easy.    Plays  two  hours  and  a  half. 

IpiC  Drama  in  Five  Acts.  Seven  males,  seven  females.  Costumes, 
IIVIO    modern ;  scenery,  three  interiors.    Plays  a  full  evening. 

I  AflY  RfllTNTIFITI  Play  in  your  Acts.  Eight  males,  seven 
Lti^^U  I  DWUillirULt  females.  Costumes,  modern;  scen- 
ery, four  interiors,  not  easy.    Plays  a  full  evening. 

I  FTTY  I^rama  in  Four  Acts  and  an  Epilogue.  Ten  males,  five 
^•^*  *  *  females.  Costumes,  modern;  scenery  complicated. 
Plays  a  full  evening. 

TIIF  MAnQTUATF  Farce  in  Three  Acts.  Twelve  males, 
IflEi  lUi\U10 1 1\/\  1  £•  four  females.  Costumes,  modern; 
scenery,  all  interior.    Plays  two  hours  and  a  half. 


Sent  prepaid  on  receipt  of  price  by 

l^alter  ^.  ?lafeer  &  Companp 

No.  5  Hamilton  Place,  Boston,  Massachusetts 


ON  THE  QUIET 

A  Comedy  in  Two  Acts 


By 

GLADYS  RUTH  BRIDGHAM 

Juthor  of  "v/  Regular  Rah  !  Rah  !  Boy,''  '-'Leave 
it  to  Polly;'  ''Cupid* 5  Partner,''  "Her  First  Assign- 
ment," "A  Case  for  Sherlock  Holmes"  "Ring- 
around-a-Rosie,"  "A  Regular  Scream"  "  Three  of 
a  Kind:;'  "The  Turn  in  the  Road,"  "The  ^een 
of  Hearts"  etc. 


BOSTON 

WALTER  H.  BAKER  &  CO, 

1915 


ON  THE  QUIET 


CHARACTERS 


William  Hastings,  a  reporter. 

Thomas  Englund,  attorney -at- law. 

Dr.  Edward  Curtis. 

David  Curtis  )  ^  4i  j-     i 

Harland  Wilkins   I  Darmouth  freshmen. 

Harry  Strickland. 

Vincent  Calhoun. 

George  Jefferson  Henry  Lee,  his  valet. 

Jeremiah  Hincks,  constable. 

Sam  Hincks,  his  so7i,  a  guide. 

Jason  LeBeau,  a  trapper. 

Arthur  Hatch,  postmaster  and  storekeeper  at  Kimbal  Corners. 

Plays  One  Hour  and  a  Half. 

Scene. — Room  in  a  hunting  camp  on  the  shore  of  Massebecco 
Lake,  Maine  woods. 


Copyright,  1914,  by  Walter  H.  Baker  &  Co. 

©cm  387i:"> 
NOV -6  1914 


On  the  Quiet 


ACT  I 

SCENE. — Room  in  a  hunting  camp  on  the  shore  of  Masse- 
becco  Lake,  Maine  woods.  Exits  r.,  l.  and  c.  Dining 
table  and  chairs.  A  table  at  R.  with  a  reading  la?np,  books, 
papers  and  so  forth.  There  should  be  a  fireplace  and  several 
mounted  heads  on  the  walls.  One  head  is  absolutely  neces- 
sary.    Rifles  and  fishing  tackle. 

{As  curtain  rises  Sam  Hincks  is  discovered  cleaning  a  rifle. 
Sam  is  a  country  boy  about  seventeen,  speaks  with  a  drawl, 
and  is  very  deliberate  in  his  movements.  Thomas  Englund 
enters  "s..,  followed  by  William  Hastings.  Hast,  should 
be  very  pale,  very  nervous,  and  his  movements  are  quick 
and  rather  jerky.  He  has  the  appearance  of  being  keyed 
up  to  the  highest  pitch.') 

Eng.     Sam,  did  you  get  my  fishing  tackle  ready? 

Sam.     Yes,  sir.     It's  right  here. 

Hast.  I  say,  Tom,  I'm  going,  too  !  I  am  getting  sick  of 
this  lay  around  and  sleep  business. 

Eng.     I  don't  doubt  it,  but  that's  what  you  need,  you  know. 

Hast.     Piffle  !     Sam,  you  find  my  fishing  tackle,  and 

Sam  {in  innocent  surprise).  Have  you  got  some,  Mr. 
Hastings? 

Hast,  {wrathfully).  Have  I  got  some?  Well,  what  do 
you  think,  you 

Eng.  There,  Billy,  don't  get  mad.  You  know  how  much 
I  would  like  to  have  you  go  along,  but  I  would  never  dare  to 
do  it  without  Ned's  consent. 

Hast.  Ned's  a  fuddy  !  I'm  going,  and  that's  all  there  is 
toit ! 

Eng.     Now,   Billy,   listen,   please !     That's  a  good  fellow. 

3 


4  ON    THE    QUIET 

You  know  it's  absolutely  necessary  for  you  to  be  quiet  for  a  few 
days  longer,  and  to  have  perfect  rest. 

Hast.  Quiet  I  Rest  1  If  you  say  those  words  again  I 
won't  answer  for  the  consequences.  When  Ned  bamboozled 
me  into  coming  into  this  howling  wilderness,  I  didn't  agree  to 
bury  myself  alive.     What  in  heaven's  name ? 

Eng.  Billy,  I  beg  of  you  not  to  excite  yourself !  You  fully 
realize  how  necessary  it  is  for  you  to  be  calm.  Ned  says  you 
are  a  whole  lot  better.  Don't  undo  what  he  has  done  for  you. 
If  you  will  just  make  up  a  little  more  sleep 

Hast.  A  little  more  sleep?  What  do  you  think  I  am? 
Sleep?     Why,  Rip  Van  Winkle  didn't  have  anything  on  me  ! 

Eng.  (^firmly),  I  repeat,  a  little  more  sleep  !  Why,  then, 
you  will  be  out  fishing  with  me  in  a  few  days. 

Hast,  {scornfully).  Fishing?  With  you?  I'd  sleep  then 
for  fair.  I'm  going  by  myself,  and  I  bet  I'll  catch  something 
besides  a  measly  little  pickerel. 

Eng.  I'll  have  better  luck  this  time.  I  bet  I'll  land  a 
whale. 

Hast.     I  hope  you  do,  and  that  he  will  bite  you. 

\^Exit  R. ,  and  slams  door  after  him. 

Sam.  He  sounds  to  me  as  if  he  was  getting  better,  Mr. 
Englund. 

Eng.  Yes,  judging  by  any  ordinary  disease.  You  see  his 
case  IS  diflferent.  It's  his  nerves  that's  troubling  him,  and  that's 
why  he  is  so  peevish.  You  probably  can't  sympathize,  Sam. 
I  don't  suppose  your  nerves  ever  troubled  you. 

Sam.  No,  sir,  I  can't  say  as  how  they  ever  did.  Do  you 
really  think  it  would  hurt  Mr.  Hastings  to  go  out  fishing  ? 

Eng.  Well,  it  doesn't  seem  so,  but  I'm  no  authority.  Dr. 
Curtis  has  given  strict  orders  that  Billy  shall  keep  absolutely 
still,  and  he  mustn't  be  excited  under  any  condition.  Remem- 
ber that !  If  we  really  do  catch  a  whale  he  mustn't  know  it. 
{Goes  to  door,  r.)  I  say,  old  man,  you  aren't  sore  at  me,  are 
you  ?  You'll  be  around  with  us  in  a  few  days,  you  know, 
and 

Hast,  (throwing  a  shoe  from  the  other  room).  I  hope  you 
choke ! 

Eng.  {dodging  the  shoe).  Come  on  !  I  guess  it's  time  for 
us  to  be  going. 

{They  pick  up  fishing  tackle  and  exeunt,  c.) 
Enter  Hast.,  r. 


4 


ON    THE    QUIET  5 

Hast.  Rest !  Quiet  1  I'll  start  something  around  here  that 
will  make  them  think  it  is  Fourth  of  July  all  the  year  rouml. 
{Speaks  to  a  head  on  the  wall.')  Do  you  hear,  old  fellow  ?  If 
they  are  going  to  keep  me  quiet  I  will  make  excitement  enough 
for  them  to  even  things  up.  {Sits  down  at  table ;  writes; 
moves  a  chair  tinder  the  head ;  stands  in  the  cJiair  and  fastens 
the  note  he  has  written  to  one  of  the  horns.)  I'here  !  To  you, 
my  friend,  shall  be  all  the  honors.  You  shall  explode  the  bomb 
which  will  shatter  our  quiet  and  rest.  {Steps  downfro7n  chair  ; 
bows  gravely  to  the  head.)  Adieu,  Alonzo  !  I  depart  to  sit  in 
a  sleepy  hollow,  under  a  weeping  willow,  and  read  Gray's 
Elegy  written  in  a  country  churchyard. 

{Picks  lip  a  hat  and  a  book  afid  exits  c.     Slight  pause.) 

Enter  David  Curtis  ^//^Harland  Wilkins,  c.  They  carry 
several  packages  7vhich  they  place  on  the  table.  Curt. 
goes  to  door,  R.,  and  looks  in. 

Curt.  Mr.  Hastings !  (  Walks  back  to  center  of  room.) 
No,  he  isn't  here. 

WiLK.     Out  in  the  hammock,  probably. 

Curt.  Yes.  Gee !  It's  tough  lines  for  an  active  man  like 
Mr.  Hastings  to  go  to  pieces  as  he  has.  It  isn't  to  be  won- 
dered at  after  all  he  has  accomplished.     He's  a  wonder  ! 

WiLK.     Did  you  know  him  before  we  came  down  here  ? 

Curt.  Only  a  little.  He  was  one  of  Ned's  chums  at 
Dartmouth,  but  you  see,  my  brother  is  so  many  years  older 
than  I  that  I  never  knew  any  of  his  friends  very  well.  I  know 
this  one  by  reputation  all  right.  Imagine  being  such  a  star  on 
a  big  Boston  daily  that  the  editor  will  eat  out  of  your  hand. 

WiLK.     His  specialty  was  murder  cases,  wasn't  it? 

Curt.  Yes.  In  this  last  big  Farron  trial  he  beat  the  de- 
tectives, apprehended  Farron  and  caused  his  arrest.  Ned  told 
me  that  for  nearly  three  weeks  he  wouldn't  go  to  bed  at  all. 
Worked  day  and  night.  This  break  was  coming,  and  he  was 
almost  insane  over  the  case,  and  when  it  was  finished  he  went 
to  pieces. 

WiLK.     Your  brother  thinks  he  is  improved  ? 

Curt.  Yes.  Say,  I'm  tired  !  It's  some  walk  over  to  Kim- 
bal  Corners.     Let's  have  a  look  at  the  mail. 

WiLK.  Good  idea  !  {Takes  sotne  letters  from  his  pocket.) 
Here  we  are !  {Sorts  the  letters  over.)  Dr.  Curtis  !  Dr. 
Curtis.     Englund.     Wilkins.    That's  from  Tom  Bigelow.    Jubt 


6  ON    THE    QUIET 

think  !  He  is  spending  his  whole  vacation  at  college  trying  to 
get  enough  into  his  head  to  work  off  a  condition. 

Curt.  That's  not  a  bad  idea.  I'll  bet  it's  quiet  up  in 
Hanover  this  week.  Tom  would  never  be  able  to  get  away  with 
it  when  the  fellows  are  around.  He's  too  popular.  Isn't  there 
anything  there  for  me  ? 

WiLK.  I  think  so.  Let  me  see !  Englund !  Hastings. 
Englund.  Here  you  go  !  {Ha7ids  him  a  letter.')  It's  from 
Dolly.  I  will  read  mine  while  you  go  into  your  usual  daily 
trance. 

Curt.     Forget  it !     ( Opens  his  letter  and  begins  to  read. ) 

WiLK.  {opejiing  a  letter).  Say,  what  do  you  know  ?  Mother 
is  worrying  about  you.  She's  afraid  when  we  are  out  in  the 
woods  some  day  I  will  accidentally  shoot  you.  Huh  !  She 
had  better  worry  about  me.  She  would  have  nervous  prostra- 
tion if  she  could  watch  your  shooting  for  a  while. 

Curt.  I  suppose  you  imagine  that  you  are  funny.  {Goes 
on  ivith  his  letter.  Wilk.  Jitiishes  his  ;  stretches  back  in  his 
chair  with  his  arms  back  of  his  head ;  suddenly  discovers  the 
paper  fastened  to  the  head  on  the  wall.  Curt,  looks  upfront 
his  letter.)     What  in  thunder  are  you  looking  at? 

Wilk.  Does  it  look  to  you  as  if  there  was  something  white 
sticking  to  one  of  those  horns,  or  is  it  the  way  the  light 
strikes  it  ? 

Curt,  {looking  up  at  head).  There's  something  there ! 
That's  odd.  I've  admired  that  head  a  good  many  times  during 
the  last  week,  but  I  never  noticed  anything  there. 

{.Pushes  a  chair  tinder  the  head  and  steps  onto  it ;  removes 
the  paper  from  the  horn.) 

Wilk.     What  is  it  ? 

Curt.  Only  a  piece  of  paper,  but  I  don't  see  how  it  came 
'way  up  here.     {Opens  it.)     Why,  Harl,  it's  a  note  ! 

Wilk.  {in  surprise).     It  is  ? 

Curt,  {stepping  down  from  chair).  Yes.  Heavens  !  What 
a  scrawl ! 

Wilk.     Who  is  it  to  ?    What  does  it  say  ? 

Curt.  I'm  sure  I  don't  know  who  it  is  to,  and  I'm  blamed 
if  I  can  tell  what  it  says.  It  looks  about  like  a  Chinese  laundry 
check. 

Wilk.  In  that  case  you  want  to  begin  at  the  bottom  and 
read  up. 

Curt,  {reading).     '<  Out  of  my — my — my " 


ON    THE    QUIET  7 

WiLK.     Oh,  my  ! 

Curt.     Say,  if  you  are  so  darned  bright,  read  it  yourself. 

(^Hands  him  the  paper.) 

WiLK.     Why,   certainly!     (Reads.)     ''Out  of  my — my — 

my "     {Hands  it  back.)     Here!     You  were  doing  well ; 

you  had  better  go  on.  I  think,  anyway,  that  a  girl  wrote  it, 
and  Vm  not  used  to  girls'  writing. 

Curt.     Like  fun  you're  not !     Let  me  see,  where  was  I  ? 

{Reads.)    "Out  of  my — anguish !"    That's  it !    "Anguish 

and  fear "     Gee!     It's  something  dramatic!     "I  am — 

am — am  writing  this  message  and  leaving  it  here,  hoping — 
against  hope  that — that  one  of  you  young  gentlemen  will  find 

it  and  it  will  lead  you  to — to — to "     Where  in  the  deuce 

is  this  to  lead  us?  Oh,  yes  !  "  Lead  you  to  act  in  the  cause 
of  justice.  A  horrible  crime  has  been  committed.  The — the 
perpetrator  has  been  here  once  wiiile  you  slept.  He  will  come 
again.  He  has  a  reason."  That  is  underlined.  "  Take  this 
as  a  warning  from  one  who  dares  not  speak.  Watch  and  bring 
the  criminal  to  justice  !  He  is  not  alone.  He  has  an — an — 
an  accomplice.  George  is  with  him."  Well,  for  the  love 
of Who  in  the  deuce  did  that? 

WiLK.  (disgusted).  Some  one  must  think  we  are  an  easy 
crowd  here  to  swallow  in  a  mess  like  that. 

Curt.  Does  some  one  think  this  is  a  joke  ?  I  don't  even 
see  the  point.  Wouldn't  it  make  you  sick  ?  A  regular  school- 
boy's trick  ! 

WiLK.  {uneasily).  Why,  of  course  it  must  be  I  There 
couldn't  be  any  truth  in  this. 

Curt,  {beginning  to  get  nervous).  No,  of  course  not !  Still, 
if  there  should  be?  Good  heavens!  But  then,  of  course,  if 
any  crime  had  been  committed  around  here  we  should  certainly 
have  heard  of  it. 

WiLK.  Yes,  of  course.  Sam  would  certainly  know  about 
it.     His  father  is  a  constable,  you  know. 

Curt.  Yes,  of  course.  Still,  I  would  like  to  show  this  to 
some  one. 

WiLK.     And  get  well  laughed  at. 

(Jeremiah  Hincks  knocks  at  door.) 
Curt.     Come  in  ! 

Enter  HiNCKS,  c. 


8  ON    THE    QUIET 

HiNCKS  {very  much  excited).     Sam  been't  here? 

Curt.  Oh,  how  do  you  do,  Mr.  Hincks  ?  No,  Sam  isn't 
here  just  now.     I  don't  know  where  he  is.     Do  you,  Harl  ? 

WiLK.  No,  I  don't.  Do  you  want  to  see  him  right  off? 
If  you  can  wait  a  while  probably  he  will  be  in  before  long. 

Hincks.  Wal,  gosli  all  scissors  !  I  want  ter  see  him  as 
soon's  possible.  I  got  a  tree-mendous  case  on  my  hands,  and  I 
got  ter  hev  all  the  help  I  kin  git.  You  ain't  heern  about  the 
murder,  hev  yer  ? 

Curt*.   [   (^^S^^^^^)-     Murder? 

Hincks.  Yes,  sir  !  Murder  !  Cold-blooded,  high-handed, 
fiendish  outrage ! 

Curt.  }  (^^.."^^^^O-     Who? 

Hincks.     Jason  LeBeau,  a  trapper  over  tother  side  the  lake. 

Curt.     Where  was  he  murdered? 

Hincks.     In  the  back. 

Curt.     Back  of  what  ? 

Hincks.  His  own  back,  of  course.  What  be  the  matter 
with  you? 

Curt.     Oh,  no,  no  !     Where  was  he?     In  his  shack? 

Hincks.     Oh,  yep  ! 

WiLK.   {looking  at  Curt.).     Only  a  little  ways  from  here. 

Hincks.  Yep  !  I  wants  ter  see  this  'ere  newspaper  feller 
that's  a-stoppin'  here,  an'  git  some  advice. 

Curt.  Mr.  Hastings  ?  Oh,  no,  you  can't  say  anything  to 
him  about  it.  My  brother  would  commit  another  murder 
right  here  if  you  did. 

Wilk.     Mr.  Hastings  is  a  sick  man. 

Hincks.  Wal,  p'raps  he  be,  but  he  don't  look  it.  I've 
heern  how  he  wuz  all-fired  smart  in  murder  cases. 

Curt.  He  is  !  That's  the  trouble  with  him  !  He's  got  to 
have  quiet  and  rest,  and  you  mustn't  so  much  as  whisper  the 
word  murder  when  he  is  around. 

Wilk.  No,  he  mustn't  know  anything  about  this  under  any 
condition.  Dave,  I  think  we  had  better  tell  Mr.  Hincks  what 
we  have  found. 

Curt.  Yes,  that's  right.  Mr.  Hincks,  we  found  this  note 
fastened  to  one  of  those  horns  up  there.  We  thought  it  was  a 
joke,  but  now,  of  course,  we  can  see  that  it  isn't.  Is  there  any 
girl,  an  educated  girl,  who  could  be  mixed  up  in  LeBeau's 
murder  ? 


ON    THE    QUIET  9 

HiNCKS.  Wal,  yep,  there  could  be  !  He  wuz  goin'  ter  be 
married  this  month  to  Irene  Bolaiux,  a  Canadian  gal,  and  she's 
right  smart  all  right.  She  went  to  a  sister's  school  up  in 
Can  ad  y. 

WiLK.     Does  she  know  her  way  around  here  ? 

HiNCKS.  Land  o'  Goshen,  yes  !  She  knows  the  woods, 
and  is  about's  good  a  trapper  as  Jason  wuz. 

w!lk    I  (f^S^^^^r).     She's  the  one  ! 

HiNCKS.  Wal,  gosh  all  scissors  !  She  wouldn't  kill  LeBeau. 
She's  some  fiery,  but  she  wouldn't  never  git  mad  enough  fer 
thet.     She  wuz  too  tarnation  gone  on  him. 

WiLK.  We  didn't  mean  that  she  killed  him.  Here,  read 
this.     {Ha?ids  him  the  ?wte.) 

HiNCKS.  What  ?  Me  ?  Read  this  tarnation  scrawl  ?  Gosh 
all  scissors  ! 

Curt.     Let  me  have  it !     We  managed  to  puzzle  it  out. 

{He  reads  the  note  to  Hincks.) 

HiNCKS  (very  much  upset).  Wal,  gosh  all  scissors!  Land 
o'  Goshen  !     I'm  weaker' n  a  rag  doll ! 

WiLK.     Have  you  any  idea  who  George  is  ? 

HiNCKS.     Nope,  I  ain't  ! 

Curt.  Why  in  thunder  did  he  come  here,  and  what  is  he 
coming  back  for  ? 

HiNCKS.  If — if  we  could  jest  speak  ter  Mr.  Hastin'  'bout 
it 

WiLK.     Well,  we  can't ! 

Curt.     You  must  get  that  idea  out  of  your  head. 

WiLK.  The  thing  for  you  to  do  is  to  telephone  to  the  city 
for  help  on  the  case. 

Hincks.  Yep!  Thet's  right!  I  mout's  well  be  movin'  ! 
I'll  go  down  ter  Simpson's  an'  use  their  telephone,  and  then 
come  back  here  after  Sam. 

Curt.  We  will  go  out  and  find  Mr.  Englund.  My  brother 
will  be  along  soon  and  we  all  will  get  busy  on  the  case.  Per- 
haps we  can  land  the  criminal  for  you  before  any  one  gels  here 
from  the  city. 

Hincks.     Mebbe !     Mebbe ! 

WiLK.  It  would  be  the  making  of  you,  wouldn't  it,  Mr. 
Hincks? 

Hincks.  Yep  !  I  reckon  'twould  I  Gosh  all  scissors  !  I 
never  wuz  so  excited  since  the  day  I  wuz  made  a  constable  ! 


10  ON    THE    QUIET 

{They  exeunt  c.  Slight  pause.  George  Lee  knocks  at 
door.  Knocks  again.  Opens  door,  enters,  looks  cau- 
tiously about.) 

Lee.  'Scuse  me  !  'Scuse  me  !  I  hopes  ter  goodness  yo'-all 
pahdon  mah  obstrusion  into  yo' -all's  house.  {Goes  to  door,  l., 
afid  kfiocks.)  'Scuse  me  !  'Scuse  me  !  [Listens  a  second, 
goes  to  door,  r.,  and  knocks.)  'Scuse  me!  'Scuse  me! 
{Listens.)  Well,  I  'clares  ter  goodness!  {Goes  to  door,  c, 
and  looks  out.)     Mr.  Calhoun,  sah,  dey  ain't  nobody  here. 

Vincent  Calhoun  {outside).     Are  you  sure  ? 

Lee.  Yas,  sah  !  Dey  ain't,  sah  I  Shu's  yo*  borned  !  Dis 
ain't  nobody's  house  ! 

Enter  Cal.,  c.  He  wears  a  raincoat  which  comes  Just  below 
the  top  of  his  stockings  showing  that  he  isn't  wearing  any 
trousers.  • 

Cal.  Why,  of  course  it's  somebody's  house,  you  black 
monstrosity  !  Every  house  belongs  to  somebody,  and  some- 
body must  be  occupying  this  at  the  present  time  or  the  frontdoor 
wouldn't  be  so  obligingly  left  unlocked. 

Lee.  Wal,  I  don'  see  no  reason  why  anybody  would  be 
a-stayin'  here.     Dis  ere  place  don'  'peal  ter  me  at  all. 

Cal.  Of  course  not !  The  grandeur  of  these  primeval  for- 
ests doesn't  thrill  your  soul. 

Lee.  No,  sah,  I  reckon  it  don*  do  nothin'  like  yo'-all  say. 
Mr.  Calhoun,  sah,  if  yo'  please,  sah,  what  is  yo'-all  gwine 
ter  do? 

Cal.     I'm  hanged  if  I  know  ! 

Lee.  Yo'-all  'scuse  me,  sah,  but  I  sticks  to  it,  if  we's  gwine 
down  to  de  village,  yo'-all  bed  suttinly  bettah  wear  mah  pants. 

Cal.     How  many  times  have  I  told  you  to  say  trousers  ? 

Lee.  Yes,  sah,  trouses,  sah.  I  suttinly  tinks,  sah,  dat  if 
one  ob  us  is  gwine  ter  trabble  widout  half  dey  clothes,  it  bed 
suttinly  bettah  be  me.  I  tinks  it  would  look  bettah,  sah.  Inevah 
heard  o*  nobody  by  de  'stinguished  name  o'  Calhoun  a-cuttin' 
no  sech  figur  as  yo'-all  is  jes*  at  present,  sah. 

Cal.  No,  I  reckon  probably  you  never  did,  but  as  far  as 
appearance  goes  I  am  inclined  to  think  that  I  am  not  cutting 
any  more  ludicrous  figure  now  than  I  would  be  if  I  was  wear- 
ing your  clothes. 

Lee.     Wal,  I  don'  know  nothin'  'bout  the  cussiness  pat  ob 


ON    THE    QUIET  II 

it.  I  don'  blame  yo'-all  fo'  swearin',  sah.  Yo'-all  'scuse  me, 
sah,  but  I  tinks  dat  even  if  mah  pants  ain'  as  stylish  as  yo'-all's 
wuz,  dey  is  a  trifle  bettah  dan  no  pants  at  all.  'Pears  ter  me 
dey  is.  Ob  course  if  yo'-all  waits  a  lil  while  somebody  may 
come  in  an'  yo'-all  can  explain. 

Cal.  Explain?  Explain  that  I  went  in  swimming  and  you 
went  to  sleep  and  let  some  one  come  along  and  steal  my  trou- 
sers ?  That's  a  bright  sounding  story,  George.  They  will  ar- 
rest us  for  a  pair  of  hobos  or  lunatics,  I  don't  know  which. 
If  they  run  us  in  I  haven't  money  enough  to  bail  us  out. 
Every  cent  I  had  was  in  those  trousers.  Why  in  thunder  did 
they  take  just  my  trousers?  Why  didn't  they  take  my  other 
clothes?  Or  if  it  was  the  money  they  wanted,  why  didn't  they 
have  decency  enough  to  take  it  and  leave  my  trousers  ? 

Lee.  Wal,  sah,  'scuse  me,  sah,  but  'pears  ter  me  I  wouldn' 
worry  'bout  why  they-all  took  yo'  pants.  De  facts  am  dat  dey 
done  took  dem,  an'  what  is  yo'-all  gwine  ter  do?  I  has  a  lil 
money.  I  reckon  'bout  two  dollars  an'  thirty-nine  cents,  but 
dat  am  a  scanlously  small  sum  to 

Cal.  It's  enough  to  have  a  telegram  sent  to  the  city,  and 
the  bank  will  telegraph  some  money  back  to  me.  The  ques- 
tion is  how  to  get  up  nerve  enough  to  appear  in  the  village  this 
way. 

Lee.  If  yo'-all  waits  long  enough,  p'raps  somebody'U  come 
in  an'  dey'll  lend  yo'-all  a  pair  ob  pants. 

Cal.  Great  idea,  George  !  I  wonder  I  didn't  think  of  that. 
That's  just  what  somebody  will  do  if  they've  got  a  pair  to  lend, 
but  they  won't  wait  to  come  in.  They  are  going  to  lend  them 
right  now  !     {Starts  for  door,  i..) 

Lee.  Fo'  de  Ian',  Mr.  Calhoun,  what  yo'-all  gwine  ter  do? 
Yo'  ain't  gwine  ter  pinch  somebody's  pants  ? 

Cal.  No,  I'm  going  to  borrow  somebody's  trousers.  Don't 
let  your  conscience  trouble  you.  I  will  return  them  to-mor- 
row.    You  keep  watch,  George.  [Exit,  l. 

Lee  (very  much  upset).  Fo'  de  Ian'  !  (Calls.)  Mr.  Cal- 
houn, s'pose  somebody  comes,  what'U  I  do?  I  cain't  tell  dem 
yo'-all's  borryin'  dey  trouses. 

Cal.  (from  room,  l.).  Oh,  I've  found  a  lovely  pair, 
George  !     Classy  ones  ! 

Lee  (glanchig  ufi easily  torvard  the  door).  Fo'  de  Ian',  Mr. 
Calhoun,  yo'-all  hurry  !  Jes'  s'pose  somebody  did  come  in  ! 
What'lllsay? 

Cal.     Tell  them  I'm  dressing  for  dinner. 


12  ON    THE    QUIET 

(Arthur  Hatch  knocks  at  door.      Opens  it  and  enters.') 

Lee  {thoroughly  frightened).  Oh,  fo'  he  Ian'  !  'Scuse  me, 
sah  !     'Scuse  me  !     I — I 

Hatch.     Is  Mr.  Hastings  in  ? 

Lee.     No,  sah,  I — 1 — 1  reckon  he  ain't. 

Hatch.     Well,  is  Dr.  Curtis  here  ? 

Lee.  N-N-No,  sah,  I  reckons  he  ain't  here  either.  Is  yo'-all 
sick? 

Hatch.  No,  I'm  not  sick.  Who  are  you  ?  Do  you  work 
for  Mr.  Hastings  ? 

Lee.  N-N-No,  sah.  Mah  name's  Lee.  George  Jefferson 
Henry  Lee,  an'  I  works  fo'  Mr.  Calhoun,  sah,  an' 

Enter  Cal.,  l.  He  still  wears  his  raincoat^  but  it  is  thrown 
open  revealing  a  pair  of  very  light  gray  trousers.  He 
stops  abruptly  when  he  sees  Hatch. 

Hatch.  Oh,  it's  you,  Mr.  Strickland?  Have  you  just 
arrived  ? 

Cal.     Ye-es,  I  have  just  arrived. 

Hatch.  It  is  some  years  since  I  have  seen  you,  but  I'm 
glad  to  meet  you  again.  {Shakes  hands  with  hi?n.')  I  heard 
you  had  come  down  here,  so  I  came  over  to  explain  things  to 
you.  You  found  the  camp  open  and  being  occupied  ?  Well — 
er — I  don't  suppose  your  father  knows  you  are  here? 

Cal.     No,  I  hardly  think  he  does. 

Hatch.  Well,  perhaps  you  don't  know,  but  I  let  this  place 
for  him  whenever  I  have  the  chance.  Just  now  there  is  a 
party  of  young  men  here.     I  really  hope  you  don't  mind. 

Cal.     Not  at  all.     I  will  go  at  once. 

Hatch  {hastily).  Oh,  that  won't  be  necessary,  I'm  sure. 
(Hast,  enters  C,  and  regards  them  with  surprise.)  Oh, 
here's  Mr.  Hastings,  now  !  Mr.  Hastings,  this  is  Mr.  Strick- 
land. His  father  owns  this  camp.  Of  course  when  he  came 
down  here  to-day  he  didn't  know  the  place  was  let.  I  was  just 
telling  him  that  I  was  sure  you  wouldn't  object  to  his  making 
one  of  your  party. 

Hast,    {in  astonishment).     Why — er 

(Lee  makes  an  inarticulate  sound,  and  Cal.  tur?is  to  look 
at  him.) 

Hatch  {very  much'  in  earnest y  in  a  swift  aside  to  Hast.) 


ON   THE    QUIET  I3 

Pretend  you  are  pleased.  Make  him  stay  !  It's  got  to  be 
done. 

Hast,  {taking  the  cue  from  YiATCn) .  Why,  of  course  you 
are  welcome  in  your  father's  house,  Mr.  Strickland. 

Cal.     I  wouldn't  dream  of  intruding. 

Hast.     Who  is  this  colored  fellow?     Your  valet? 

Hatch.  Oh,  no,  he  isn't  with  Mr.  Strickland.  He  works 
for  Mr.  Cal — somebody. 

Lee.     Calhoun,  sah. 

Hast.  Well,  what  are  you  doing  in  here?  Where  is  Mr. 
Calhoun  ? 

Lee  (desperately,  looking  from  one  to  the  other).  I  'clare 
ter  goodness  I  don'  know  ! 

Hast.  Don't  know?  What  do  you  mean?  Where  did 
you  come  from? 

Lee.  Wal,  yo'  see,  sah,  I  was  done  huntin'  in  de  woodses 
wid  Mr.  Calhoun  an' — an' — an' 

Hatch  {with  a  laugh).  And  you  lost  him.  You  might  as 
well  own  up  to  it.  That's  getting  to  be  a  pretty  common  story. 
There's  been  half  a  dozen  lost  their  way  around  here  lately. 

Hast,  {to  Lee).  You  go  down  on  the  shore  and  yell  for 
Sam  Hincks.  He's  out  on  the  lake  somewhere  fishing,  but  I 
don't  think  he  is  very  far  away.  He  is  a  guide,  and  he  will 
help  you  search.  If  you  don't  succeed  in  finding  Mr.  Calhoun, 
come  back  here  and  we  will  enlarge  the  searching  party.  We 
mustn't  allow  any  one  to  spend  the  night  in  the  woods.  It's  no 
joke.  {As  Lee  hesitates.)  Go  ahead  !  Hurry  !  It's  begin- 
ning to  grow  dusk  now. 

Lee  {with  a  look  at  Cal.,  moving  sloivly  toward  the  door). 
Yes,  sah. 

Cal.  {quickly).     Let  me  go  and  help. 

Hast.  Oh,  it  isn't  necessary.  I  imagine  Sam  can  find  him. 
You  come  right  in  here  and  remove  your  coat  and  wash  up  for 
supper.     (  Walks  him  toward  door,  l.) 

Cal.     But  I 

Hast.  Not  a  word  !  You  are  going  to  be  a  guest  in  your 
father's  home.  (  Walks  him  through  door,  l.  ;  closes  door  and 
returns  to  Hatch.  Lee  exits  c.)  Now,  will  you  tell  me  the 
meaning  of  this  performance  of  yours?  We  hired  this  place 
and  paid  for  it  in  advance.  Why  have  we  got  to  keep  this  fel- 
low here  ? 

Hatch.  Gee !  I  hate  to  tell  you.  Dr.  Curtis  would  kill 
me.     He  said  you  mustn't  be  disturbed  about  anything.     But 


14  ON    THE    QUIET 

good  heavens,  there's  no  other  way.  I'll  have  to  tell  you  on 
the  quiet.     This  fellow  is  loony. 

Hast,  {astonished).     Loony?     Strickland? 

Hatch.  Yes,  it's  dreadful.  He  used  to  come  here  with  his 
father,  and  once  he  had  a  long  sickness  here.  When  he  got 
better  his  mind  was  affected.  He's  been  in  a  sanitarium  for 
several  years,  and  yesterday  he  escaped.  The  officials  called 
me  up  to-day  and  told  me  to  keep  a  look  out  for  him,  because 
lately  he's  been  babbling  about  the  Maine  woods  and  his  father's 
camp,  and  they  rather  thought  he  would  come  this  way.  They 
are  following  him,  and  I'll  drive  right  back  to  the  store  and 
telephone  to  them  that  he  is  here,  and  to  come  for  him.  There's 
no  way  but  for  you  to  keep  him  here  for  a  few  hours.  You 
aren't  afraid,  are  you  ? 

Hast.  Well,  not  so  you  would  notice  it !  What  a  pity  ! 
He's  a  fine-looking  fellow,  and  appears  perfectly  sane.  I 
should  say  he  was  quite  harmless. 

Hatch.  Oh,  yes,  he  is  harmless.  They  have  always  hoped 
for  a  cure.  I  haven't  seen  him  for  several  years  and  he  looks 
a  good  deal  older  and  a  good  deal  thinner  than  he  used  to. 
There  is  one  peculiarity  of  his  disease.  He's  anybody  that 
you  tell  him  that  he  is,  and  agrees  with  everything  you  say  to 
him.  If  you  should  tell  him  he  was  king  of  England,  emperor 
of  Germany,  and  president  of  the  United  States,  he  would  say, 
yes,  that  he  was  all  three.  Well,  I've  got  to  be  going.  I  hope 
this  won't  hurt  you  any,  Mr.  Hastings,  but  I  don't  see  what 
else  I  could  do. 

Hast.  Don't  let  that  worry  you  !  I'm  not  half  as  sick  as 
they  make  me  out  to  be.  I'll  look  after  Strickland  and  won't 
say  anything  about  his  mental  condition  if  I  can  help  it.  Dr. 
Curtis  would  be  so  worried  he  would  put  me  to  bed  again  and 
feed  me  on  gruel. 

Hatch.     You  look  a  lot  better  than  you  did  a  week  ago. 

Hast.     Thanks.     I  am  better. 

Hatch.     I'll  get  some  one  down  here  just  as  soon  as  I  can. 

Hast.  All  right.  Good-bye.  (Hatch  exits  c.  Hast. 
glances  uneasily  at  door,  l.  ;  looks  up  at  head  on  the  wall.') 
By  Jove,  Alonzo,  you  have  delivered  my  message  already. 
Good  work,  old  sport !  Things  are  looking  up  !  Rest  and 
quiet,  Alonzo,  are  all  right  in  their  place,  but  they 

{Enter  Hincks,  c.     Looks  cautiously  about.) 
Hincks.     Mr.  Hastings ! 


ON    THE    QUIET  I5 

Hast.  Oh,  it's  Mr.  Hincks,  isn't  it?  How  do  you  do? 
Do  you  want  to  see  Sam  ? 

Hincks.     Wal,  no.     It  wuz  you  I  wanted  ter  see. 

Hast.  Good  enough  !  I  feel  just  like  having  callers. 
(^Glances  again  toward  door,  l.)     Sit  down. 

Hincks.  I  don't  know  as  I  oughter  talk  ter  you.  Do  you 
feel  very  sick,  Mr.  Hastings  ? 

Hast.     Not  at  all.     I'm  fit  as  a  fiddle. 

Hincks.  And  you  think  I  won't  hurt  yer  none  if  I  talk  to 
yer  fer  a  while  ? 

Hast.     Certainly  not !     Talk  right  along,  Mr.  Hincks  ! 

Hincks.  Wal,  gosh  all  scissors  !  I  hope  I  ain't  doin'  yer 
no  harm,  but  there's  somethin*  I  want  ter  tell  yer  on  the  quiet. 

Hast.     That  sounds  interesting.     Go  right  ahead. 

Hincks.  Wal,  I  want  ter  show  yer  this  note.  If  you  think 
yer  can't  figger  it  out  I  kin  tell  yer  what  it  says. 

Hast.  {leani?ig  forward  to  hide  his  face).  I  guess  I  can 
manage.  I  am  quite  a  handwriting  expert.  {Pretends  to  read 
note.)     Why— why,  Mr.  Hincks  !     How  surprising  ! 

Hincks.  Sh  !  Hush  !  Don't  you  get  excited  !  If  you  do, 
thet  doctor  feller  will  just  naturally  want  ter  knock  the  stuffins 
outen  me ! 

Hast.     But  this  is  most  important,  Mr.  Hincks  ! 

Hincks.  Now  !  Now !  Don't  yer  get  excited !  I  jest 
want  ter  git  some  advice  from  yer.  If  I  could  ketch  this  rascal 
it  would  be  the  makin*  uv  my  repertation.  There  be  some 
fellers  in  this  county  thet  thinks  my  bein'  a  constable  is  a  huge 
joke.     I  want  ter  prove  fer  once  thet  I'm  onto  my  job  ! 

Hast.  Good  for  you  !  Now,  first  of  all,  where  did  you  get 
this  message,  or  warning,  it  appears  to  be  ? 

Hincks.  Wal,  them  two  young  fellers  thet's  a-stayin'  here 
with  you 

Hast.     Dave  and  Harland  Wilkins  ? 

Hincks.  Yep,  them's  the  ones.  Wal,  they  found  this  stickin' 
ter  one  o*  them  horns  up  there. 

Hast.     What?     Found  here?     Right  here  in  this  room? 

Hincks.  Now,  don't  get  excited  !  Keep  cool,  like  me. 
Yep,  it  was  found  right  here. 

Hast.     How  perfectly  astonishing,  Mr.  Hincks  ! 

Hincks.  Yep  !  Ain't  it  ?  In  all  yer  experience  did  yer 
ever  hear  a  case  like  it  ? 

Hast.     Never.    I  suppose  the  boys  are  quite  excited  over  it. 

Hincks.     Wal,  yer  kin  jest  bet !     I  wanted  ter  tell  yer  right 


l6  ON    THE    QUIET 

off  but  they  didn't  dare  ter  do  it.  They're  goin'  ter  tell  Mr. 
Englund  and  the  doctor,  and  they  are  all  goin'  ter  work  on  it, 
but  I  knew  one  word  from  you  wuz  better' n  a  hundred  from 
any  uv  them. 

Hast.     Thanks. 

HiNCKS.  Now,  if  you  wuz  in  my  place  would  you  send  fer 
a  detective  from  the  city  ? 

Hast,  {choking  suddenly).  Certainly  not !  You  can  handle 
this  alone.     Why,  Mr.  Hincks,  you  can  make  yourself  famous. 

HiNCKS.     Yer  think  so  ?     You  will  help  me  ? 

Hast.  Of  course  I  will !  Now,  I  tell  you  what.  The 
criminal  is  coming  back  here,  so  you  see  the  thing  for  you  to 
do  is  to  keep  watch  for  any  suspicious-looking  characters  you 
see  prowling  around ;  especially  any  coming  in  the  direction  of, 
this  camp.  Sh  !  There's  some  one  coming  !  You  come  and 
see  me  later  and  I  will  tell  you  some  more.  (Dr.  Edward 
Curtis  enters  c.)  Hello,  Ned  !  Back  again?  Here's  Mr. 
Hincks  looking  for  Sam. 

Dr.  C.     How  do  you  do,  Mr.  Hincks  ? 

Hast.     Aren't  you  going  to  wait  for  Sam,  Mr.  Hincks? 

Hincks.  Nope  !  I  guess  I'll  travel  along.  I  got  a  lot  to 
do.     I'll  come  back  and  see  Sam  later.  [Exit,  c. 

Enter  Cal.,  l. 

Hast.  Ned,  this  is  Mr.  Strickland.  His  father  owns  this 
camp  and  he  came  down  here  not  knowing  the  place  was  occu- 
pied. I  have  invited  him  to  join  us  oyer  night,  anyway.  I 
knew  you  would  be  delighted. 

Dr.  C.  {surprised  but  cordial).  Why,  certainly.  I'm  glad 
to  meet  you,  Mr.  Strickland.     {Shakes  hands  with  him.) 

Cal.     Thank  you.     I 

Hast,  {grabbing  Cal.  by  the  arm).  Come  in  this  way, 
Mr.  Strickland.  I  want  to  show  you  some  pictures  we  have 
made  of  the  camp. 

{Exeunt,  R.     Dr.  C.  looks  after  them  puzzled.) 
Enter  Curt,  and  Wilk.,  c. 

Curt.  Say,  Ned,  there's  a  deuce  of  a  row  going  on  ! 
There's  a  man  lost  in  the  woods,  and  Jason  LeBeau,  a  trapper, 
has  been  murdered  in  his  shack  across  the  lake,  and 

Dr.  C.     Hush,  David  !    Do  you  want  to  kill  Billy  outright? 

Curt.     Oh,  has  he  come  in  ? 


ON    THE    QUIET  I7 

Dr.  C.     Yes,  and 

Enter  Eng.,  Sam  and  Lee,  c.     Hast,  enters  r.     Cal.  comes 
to  door^  R.,  and  stands  looking  in, 

Eng.     Not  a  trace  of  Mr.  Calhoun  can  we  find. 
Dr.  C.     Is  he  the  man  who  is  lost  in  the  woods? 
Eng.     Yes. 

Lee.     I  'clares  ter  goodness  we  couldn*  fin'  him  nohow. 
Harry  Strickland  {outside').     George  !     George  ! 
Eng.   {to  Lee).     Some  one  is  calling  you.     Probably  that  is 
Mr.  Calhoun. 

Lee  {startled).     N-N-No,  sah,  dat  ain'  his  voice. 

(Dr.  C.  opens  door,  c.  Strick.  enters.  Strick.  and  Cal. 
should  be  made  up  to  look  very  much  alike.  Strick.  looks 
about  with  a  vacant  stare.) 

Dr.  C.     You  are  Mr.  Calhoun  ? 

Strick.     Yes. 

Cal.  (///  astonishment,  stepping  ifito  room).  The  deuce 
you  are  ! 

Dr.  C.     And  this  is  your  servant,  George  ? 

Strick.     Yes. 

Lee.     I  'clares  ter  goodness 

Eng.  {to  Strick.).  I'm  glad  you  have  found  your  way 
here.     We  have  been  out  looking  for  you,  and 

Enter  Hincks.     Foifits  at  Strick. 

HiNCKS.  There  you  are  !  I've  got  you  !  And  gosh  all 
scissors,  I've  done  it  myself !  I  reckon  my  name  is  made  in 
this  county  ! 

Dr.  C.  Why,  what  are  you  talking  about?  This  gentle- 
man is  Mr.  Calhoun,  and 

HiNCKS.  1  don't  give  a  tinker's  whistle  who  he  is,  though 
I'm  glad  ter  find  out.     That's  his  pal,  George,  been't  it? 

Dr.  C.     It's  his  servant. 

HiNCKS  {to  Lee).     Your  name's  George,  been't  it? 

Lee.     Y-Y-Yas,  sah,  my  name  sho'  is  George,  but 

HiNCKS.  That  will  do  !  I  arrest  both  er  yer  in  the  name 
o'  the  law. 

Eng.     Arrest  them  ? 

Dr.  C.     What  for  ? 

HiNCKS.     For  the  murder  of  Jason  LeBeau. 


l8  ON    THE    QUIET 

KiA.  (excepting  ^TRiCYi.).     What? 

(Strick.  appears  indifferent.) 

HiNCKS.  You  might's  well  own  up  !  I've  got  ye  !  You 
might  jest's  well  confess.     You  murdered  Jason  LeBeau. 

Strick.   {wearily,  drawi?ig  his  hand  across  his  eyes).     Yes. 

HiNCKS.     And  George  was  with  you  when  you  did  it  ? 

Strick.     Yes. 

Lee.  'Scuse  me,  sah,  'scuse  me,  but  I  wasn'  nevah  present 
on  no  sech  'casion. 

HiNCKS.  Sam,  you  hike  right  over  to  Simpson's  and  tele- 
phone ter  the  city  that  it's  a  feller  by  the  name  o*  Calhoun  thet 
murdered  Jason  LeBeau,  and 

Cal.  I  protest !  This  is — is — is — an  outrageous  sounding 
story,  and — and 

HiNCKS.  I  don't  know  who  you  are,  young  man,  but  'pears 
ter  me  this  ain't  none  o'  yer  business  !  You  go  'long,  Sam,  and 
say  we'll  keep  Calhoun  and  George  here  until  they  send  an 
officer  for  them. 

Sam.     All  right.  [Exit,  c. 

Lee.  Yo'  don'  keep  me-all !  {Starts  for  door.)  Not  if  I 
knows  it  first ! 

(Curt,  afid  Wilk.  hold  him  back.) 

HiNCKS.     Hold  on  to  him  !     Don't  let  him  get  away  ! 

(HiNCKS  stands  by  door,  c,  to  keep  any  one  from  getting  out.) 

Cal.  I  protest  against  this  whole  business.  I  am  Vincent 
Calhoun.  (Points  to  Strick.)  I  don't  know  who  this  fellow 
is,  but  he's  mighty  nervy.  He's  not  only  using  my  name,  but 
he  is  wearing  my  trousers. 

All  {in  asto7iishment).     What? 

Hast.  Don't  pay  any  attention  to  this  fellow,  {hidicates 
Cal.)  I  hate  to  tell  it  but  he  is  a  trifle  out.  He  has  escaped 
from  a  sanitarium,  and  I  am  keeping  him  here  until  they  send 
for  him. 

Lee  {trying  to  get  a7vay  from  V^ii^K.).     Wow! 

Cal.  {puttijig  his  ha?id  to  his  head  and  dropping  into  a 
chair).     Great  Caesar's  Ghost ! 

CURTAIN 


ACT  II 

SCENE. — As  curtain  rises  Dr.  C.  is  walking  up  and  down 
the  room  talking  to  CuRT.,  Wilk.  ««^Eng.,  who  are  seated 
about  the  room. 

Dr.  C.  a  nice  state  of  affairs  !  A  nice  state  of  affairs,  I 
must  say  !  To  bring  a  patient  down  here  for  rest  and  quiet, 
and  have  this  hurrah  going  on  !  An  escaped  lunatic,  and  a 
criminal  and  his  accomplice  right  here  in  the  house  with  us. 
Splendid  company  we  are  in  !  Delightfully  exclusive .  And 
then  we  have  to  have  a  mystery  as  well.  Somebody  enters, 
heaven  only  knows  how  or  when,  and  leaves  a  message  on  the 
wall! 

Curt.  Well,  Mr.  Hastings  doesn't  know  anything  about 
that. 

Dr.  C.  It's  a  wonder  !  It's  a  wonder  that  you  didn't  tell 
him  !     Where's  Sam  ? 

Wilk.  Mr.  Hincks  thinks  he  knows  who  the  girl  is  who 
wrote  the  note  that  was  left  here,  and  he  has  sent  Sam  to  see 
if  he  can  find  out  where  she  is.     He  wants  to  get  at  her. 

Hast,  {comifig  to  door,  r.).  I  say,  Ned,  I  have  just  thought 
of  something  important  ! 

Dr.  C.  Billy,  if  you  have  an  atom  of  common  sense,  go 
into  that  room,  get  a  book  and  take  your  mind  off  the  foolish- 
ness that's  going  on  in  this  house.  You  can't  help  things  a 
bit,  and  you  can  help  yourself  a  whole  lot  by  keeping  out  of 
this. 

Hast,  (angrily).     Any  one  would  think  that  I  am  a  baby  ! 

[Exit. 

Dr.  C.  {looking  after  him).  This  will  undo  everything  I 
have  done. 

Eng.  Ned,  what  do  you  say  to  looking  our  prisoners  over  ?" 
You  know  I  can't  make  myself  believe  that  Strickland  is  men- 
tally unbalanced.     Does  he  look  so  to  you  ? 

Dr.  C.  I  haven't  observed  him  closely.  My  mind  has  been 
wholly  occupied  with  Billy. 

Eng.     Well,  do  lunatics  ever  appear  perfectly  sane? 

Dr.  C.     Oh,  yes,  very  often. 

'9 


20  ON    THE    QUIET 

Hast,  {coming  to  door).  Say  !  I  think  you  might  at  least 
tell  me  who  Jason  LeBeau  is  ! 

Dr.  C.     Billy  ! 

Hast.  Well,  I  could  tell  you  what  to  do  !  You  people  are 
regular  nuts !  That  Calhoun  fellow  never  killed  any  one,  or 
the  nigger  either.  I  can't  imagine  why  Calhoun  would  own  up 
to  the  thing. 

Dr.  C.     Will  you  stop? 

Hast,  (aggrieved).     And  Strickland  is  wearing  my  trousers. 

All.     Your  trousers  ? 

Hast.  Yes.  If  his  mind  is  affected  it's  on  the  subject  of 
clothes.  He  is  wearing  my  trousers,  and  thinks  Calhoun  is 
wearing  his. 

Dr.  C.  Billy,  if  you  don't  go  in  the  other  room  and  keep 
still,  I'll  lock  you  in  there.  [Exit  Hast. 

Eng.  What  do  you  say  to  having  our  prisoners  out  here  one 
at  a  time  ?  I  want  to  ask  some  questions,  and  I  want  you  to 
take  notice  of  Strickland.  I  have  an  uneasy  feeling  in  regard 
to  this.  Somehow  I  don't  believe  things  are  just  as  they  appear 
to  be. 

Hast.  {comi7ig  to  door).  Say  !  Will  you  please  tell  Strick- 
land to  be  careful  of  my  trousers  ?  They're  my  best  ones. 
The  most  A.  i  tailor  in  Boston  made  them,  and  I  simply  dote 
on  those  trousers. 

WiLK.  You  don't  honestly  mean,  Mr.  Hastings,  that  Strick- 
land is  wearing  your  trousers  ? 

Hast.  I  honestly  do.  You  go  in  there  {pointing  to  roonij 
L.),  and  if  my  gray  trousers  are  hanging  in  that  curtained  re- 
cess by  the  window,  I'll  give  you  a  ten  dollar  bill.  [Exit. 

Dr.  C.  If  you  are  going  to  have  your  hearing  out  here, 
lock  that  door  and  keep  Billy  away. 

Eng.     All  right.     {Locks  door,  r.) 

Hast,  {from  room,  r.,  shaking  door).  Oh,  you  just  wait ! 
I'll  get  even  ! 

Eng.  David,  you  go  in  and  stay  with  the  prisoners,  and 
send  Mr.  Hincks  out  here.  While  you  are  in  there  find  out  if 
what  Billy  says  about  his  trousers  is  true. 

Curt.     All  right.  [Exit,  l. 

Eng.     Harland,  you  know  shorthand  ? 

Wilk.     Fairly  well. 
■  Eng.     You  can  be  court  stenographer  and  take  down  the 
evidence.     I  will  be  prosecuting  attorney,  and  Ned,  you  can  act 
as  judge. 


ON    THE    QUIET  21 

Enter  Hincks,  l. 

HiNCKS.     That  young  chap  says  you  want  ter  see  me. 

Eng.  Yes.  Sit  down  a  few  minutes.  We  thought  perhaps 
you  would  tell  us  how  you  happened  to  arrest  Calhoun.  How 
did  you  find  out  that  he  was  the  guilty  man  ? 

Hincks  {importantly').  Wal,  yer  see,  after  the  boys  give  me 
that  ere  note,  I  wuz  a-goin'  ter  telephone  ter  the  city  fer  help 
on  the  case,  but — er — something  changed  my  mind,  and 

Eng.     What  was  the  something  that  changed  your  mind? 

Hincks  {^glancing  uneasily  toward  door^  r.).  Oh — er — 
nothin.'     Jest  nothin'  at  all  I 

Eng.  a  minute  ago  you  said  something.  Now  you  say 
nothing.     What  do  you  mean  ? 

Hincks.  Wal,  er — ^jest  a  sort  of  a  feeling  that  I  might  be 
able  ter  handle  the  case  myself.  'Cause  I  knew  if  I  could  I'd 
be  made  in  this  county,  an'  I  reckon  I  be  all  right. 

Eng.  I  see.  All  right ;  after  you  had  this  sort  of  feeling, 
what  did  you  do  next  ? 

Hincks.  Wal,  I  thought  I'd  go  over  ter  Jason's  shack  and 
view  the  ree-mains. 

Eng.  {in  astonishment).  Hadn't  you  been?  Were  you 
working  on  a  case  without  first  visiting  the  scene  of  the  crime  ? 

Hincks.  Why,  gosh  all  scissors  !  I  hedn't  hed  the  time  to 
go  over.     I  wuz  jest  gettin'  round  to  it. 

Eng.  How  could  you  be  sure  that  it  was  LeBeau  who  was 
murdered  ? 

Hincks.  Why,  land  o'  Goshen  !  Jed  Peterson  telephoned 
over  and  told  me. 

Eng.     All  right.     Go  ahead  with  your  story  ! 

Hincks.  Wal,  I  be  if  you'll  keep  still  long  enough.  I  cain't 
tell  nothin'  with  you  doin'  all  the  talkin'.  I  wuz  a-walkin' 
through  the  woods  when  I  heern  some  one  callin'  "George! 
George  !  "  Wal,  gosh  all  scissors  !  I  wuz  excited,  and  my 
ears  perked  up  some.  I  wuz  a-lookin'  fer  a  feller  by  the  name 
o'  George  myself.  Wal,  I  got  where  I  could  see  who  it  wuz 
a-callin',  an'  I  seed  this  Calhoun  feller  a-walkin'  along  and 
makin'  funny  motions  in  the  air  with  his  hands.  Once  in  a 
while  he'd  stop  an'  call  George,  and  then  he'd  wave  his  hands 
and  yell  "Jason  LeBeau!"  Wal,  right  then  I  hed  another 
feelin'  thet  he  wuz"  the  one  that  murdered  LeBeau,  an'  it  hed 
made  him  loony.  Wiien  he  come  within  sight  o'  this  place  he 
got  quieter,  an'  when  I  put  it  to  him,  he  owned  right  up  to  it, 
and  he  ain't  said  a  durned  word  since. 


22  ON    THE    QUIET 

Eng.  That's  all,  Mr.  Hincks.  I'm  very  much  obliged. 
Will  you  ask  David  to  come  here  ?  [^JSxif  Hincks,  l. 

Dr.  C.  {dryly).  Mr.  Hincks  appears  to  be  a  man  of  un- 
usual/(f^//«^. 

Eng.  So  it  would  seem ;  but  his  feelings  seem  to  have  led 
him  right. 

Hast,  {through  the  door).  Don't  forget,  you  precious  bone- 
heads,  that  there  is  such  a  thing  as  circumstantial  evidence. 

Eng.  You  might  as  well  let  him  in  here  as  to  have  him 
listening  through  the  keyhole. 

Dr.  C.     He  will  get  sick  of  it  and  go  to  bed. 

Enter  Curt. 

Curt.  It's  just  as  Mr.  Hastings  says.  His  trousers  are  not 
there. 

WiLK.     That's  strange,  isn't  it? 

Eng.  Dave,  tell  Mr.  Calhoun  to  come  out  here.  (Curt. 
exits  L.,  and  returns  with  Strick.)  Mr.  Calhoun,  sit  down, 
won't  you  ?  We  want  to  prove  to  you  that  we  feel  friendly 
toward  you,  and  want  to  help  you  if  we  can.  You  have  con- 
fessed that  you  murdered  Jason  LeBeau  ? 

Strick.   {listlessly).     Yes. 

Eng.     Why? 

Strick.   (vaguely).     Why — why — why 

Eng.  [regarding  him  intently).  Why  did  you  hate  LeBeau 
enough  to  kill  him? 

Strick.     Hate — hate {Fiercely.)     Yes,  I  hate  Jason 

LeBeau  ! 

Eng.     Why? 

Strick.     My  father — my  father [Suddenly  puts  his 

hand  to  his  head.)     I'm  tired. 

Eng.     Jason  LeBeau  wronged  your  father? 

Strick.  {starting  up  fiercely).  Yes  !  Yes,  he  did  !  He 
did! 

Dr.  C.  {soothi?igly,  placi7ig  his  hand  on  ^tricv..*?,  shoulder). 
There!     Nevermind!     (7b  Eng.)     Better  quit,  Tom. 

Eng.     Yes,  just  a  minute.     You  are  Mr.  Calhoun  ? 

Strick.     Yes. 

Eng.     And  George  is  your  servant  ? 

Strick.     Yes. 

Eng.  That's  all.  (Dr.  C.  opens  door,  l.,  and  Strick. 
exits.)     He's  mad  as  a  March  hare,  isn't  he? 


ON    THE    QUIET  23 

Dr.  C.  No,  he  isn't.  His  mind  is  only  slightly  affected. 
Some  shock  did  it,  possibly  the  killing  of  LeBeau,  and  something 
will  bring  him  to  himself  again  like  that.     {Snaps  his  Jifigers?) 

Eng.  Then  you  don't  think  he  was  deranged  when  he  killed 
LeBeau  ? 

Dr.  C.  Why,  I  can't  say.  We  don't  know  any  of  the  cir- 
cumstances of  the  kiUing.  Our  worthy  constable  hasn't  had 
time  to  find  out.  Who  do  you  want  next  ?  This  grows  inter- 
esting. 

Eng.     We  had  better  have  Mr.  Strickland. 

[Exit  Curt,  l. 

WiLK.  {laughifig).  This  reminds  me  of  when  I  used  to 
play  clap  in  and  clap  out ! 

Enter  Curt.,  with  Cal. 

Eng.     Won't  you  sit  down,  Mr.  Strickland? 

Cal.  (airily).  Thanks,  gentle  sir.  The  pleasure  is  wholly 
mine. 

Eng.  Mr.  Strickland,  I  wanted  to  ask  you  why  you  are 
wearing  Mr.  Hastings'  trousers  ? 

Cal.  Are  they  his  ?  I  didn't  know  who  they  belonged  to. 
His  taste  is  excellent. 

Eng.     I  asked  you  why  you  were  wearing  them  ? 

Cal.  Oh  !  Well,  you  see,  I  didn't  have  any  of  my  own, 
and  it  was  embarrassing  to  go  around  without  any. 

Eng.     Where  were  yours  ? 

Cal.  (zvith  a  glance  to  room,  l.).  My  roommate  borrowed 
mine.  Likewise  the  money  which  was  in  them.  I've  lost  my 
money,  my  trousers,  my  name,  my  reputation,  and  my  mind 
since  I  came  to  the  happy  hunting-ground.  Would  you,  oh, 
would  you  give  me  my  money  back  again  ?  It's  a  slight  favor 
I  ask  of  you,  gentle  sir,  but  grant  thou  my  request ! 

{All  begin  to  get  uneasy y  and  Dr.  C.  is  decidedly  interested.) 

Dr.  C.  Mr.  Strickland,  of  what  does  this  room  remind 
you  ?  Try  to  think  if  you  have  ever  been  here  before.  What 
does  the  room  make  you  think  of? 

Cal.  Think?  Think?  Ah,  me  !  The  task  you  set  me  is 
a  fearful  one  !  'Tis  hard  to  think  !  Harder  for  you  than  it  is 
for  me.  Think  with  me  and  perhaps  I  can  do  it  better.  Now, 
while  I  count  ten  who  will  have  an  answer  ready  ?  One — two — 
three — four — five — six — seven — eight — nine — ten  !  I  have  it ! 
This  room  reminds  me  of  the  cage  of  monkeys  at  the  zoo  !     I 


24  ON    THE    QUIET 

win  !  I  beat  you  !  You  never  got  an  answer  at  all  !  I  told 
you  it  was  harder  for  you  to  think  than  for  me. 

Eng.     Where  did  you  get  Mr.  Hastings'  trousers  ? 

Cal.  Sh  !  'Tis  a  secret !  You'll  promise  not  to  give  me 
away  ? 

Eng.     Certainly. 

Cal.     I  picked  them. 

All.     Picked  them  ? 

Cal.  Yes.  I  found  them  growing  on  a  rose-bush  in  the 
garden.     I  heard  them. 

Eng.     Heard  them  ? 

Cal.     Yes ;  they  were  so  loud  they  attracted  ray  attention. 

Eng.  I — I — I  guess  that  will  do,  Mr.  Strickland.  You 
may  go.  Oh,  just  one  more  question.  Do  you  still  think  you 
are  Vincent  Calhoun  ? 

Cal.  Alas  !  No  !  That  name  has  been  taken  by  another. 
I  shall  have  to  find  a  new  name.  I  think  I  will  be  either  Jonah 
or  the  whale.  I  can't  seem  to  decide,  but  I  think  I  will  be  the 
whale.  \^Exit^  l. 

Curt.     Heavens  !     Isn't  he  daft? 

Dr.  C.  Yes,  very  flighty,  but  I  imagine  only  at  times.  I 
believe  you  thought,  Tom,  that  he  appeared  quite  sane. 

Eng.     Yes,  but  I  take  it  back. 

WiLK.     He's  some  fun  just  the  same. 

Hast,  {through  the  door).  Oh,  you  poor  benighted  beings 
with  heads  of  solid  ivory  !  You  told  that  fellow  he  was  dippy, 
and  he  is  only  giving  you  your  money's  worth.  He  isn't  half 
as  dippy  as  you  are. 

Curt.     Shall  I  get  the  coon  ? 

Eng.  Yes.  {Exit  Curt.,  l.)  I'm  afraid  our  investiga- 
tion won't  lead  us  far  with  half  our  witnesses  somewhat  out  in 
the  upper  story. 

WiLK.  {co7isnlting  his  notes).  Oh,  I  don't  know.  We  have 
discovered  that  Calhoun  hated  LeBeau,  and  we  can  attribute  a 
motive  for  the  crime.  {With  a  chuckle.)  Also  that  Mr. 
Strickland  picked  his  trousers  off  a  rose-bush. 

Enter  Curt.,  with  Lee. 

Eng.     Now,  George, — er — what  is  your  other  name? 

Lee.  I'se  got  tree  others,  sah.  Mah  name's  George  Jeffer- 
son Henry  Lee. 

Eng.  Indeed  ?  Do  you  realize  that  there  is  a  very  serious 
charge  against  you  ? 


ON    THE    QUIET  25 

Lee.     Yas,  sah.     It  suttinly  'pears  dat  way,  sah. 

Eng.     You  admit  that  you  work  for  Mr.  Vincent  Calhoun  ? 

Lee.     Yas,  sah,  I  does. 

Eng.  And  yet  you  say  that  you  know  nothing  about  his 
killing  Jason  LeBeau  ? 

Lee.  No,  sah,  I  suttinly  doesn',  nor  he  doesn't,  neither. 
Dat  am  a  pufectly  scanlous  tale,  sah.  Mr.  Calhoun  is  a  bery 
nice  genleman,  an'  he  nevah  made  no  practice  o'  killin'  his 
friends,  not  nevah  while  I'se  worked  fo'  him. 

Eng.  You  claim  that  you  lost  Mr.  Calhoun  in  the  woods, 
and  that  this  fellow  who  says  he  is  Calhoun  is  somebody  else  ? 

Lee.     Yas,  sah.     He  ain'  Mr.  Calhoun  at  all,  sah. 

Eng.  Well,  how  do  you  account  for  the  fact  that  he  was 
calling  you  out  there  in  the  woods,  and  that  he  says  you  are 
his  servant  ? 

Lee.  I  'clares  ter  goodness,  sah,  I  don'  count  fer  it  nohow. 
It  am  puffectly  extraumptious. 

Eng.  And  this  other  fellow  who  has  stolen  Mr.  Hastings' 
trousers  ?     What  do  you  think  of  him  ? 

Lee.  I  'clares  ter  goodness,  sah,  I  don'  know  what  ter  think 
'bout  him.  He  am  puffectly  extraumptious,  too,  sah  !  I  tinks 
it  am  bery  unfortunatual  thet  Mr.  Calhoun  an'  me  evah  come 
a  huntin*  in  dese  woodses.  'Twan't  nothin'  I  evah  wanted  to 
do.     It  wuz  his  idea,  an*  I  alius  tort  it  was  a  powerful  silly  one. 

Eng.     How  long  have  you  known  Jason  LeBeau  ? 

Lee  {t7idig}ia?itly).  How  Ion's  I  known  him?  I  nevah  hed 
the  aquaintencement  of  no  sech  pussen  in  mah  life. 

Eng.     You  never  saw  him  ? 

Lee.     No,  sah,  I  nevah  did,  an'  I'se  powerful  glad  uv  it. 

Eng.     Did  you  ever  hear  Mr.  Calhoun  speak  of  him  ? 

Lee.  No,  sah,  I  didn't.  I'll  bet  he  don'  know  any  sech 
pussen  any  bettah  dan  I  does.  We-all's  from  de  Souf,  sah, 
an'  we  doesn'  know  many  peoples  up  dis  way. 

Eng.  Well,  I  hope  what  you  say  is  true,  George.  I  hope 
the  right  Mr.  Calhoun  will  come  along  pretty  soon  and  prove 
your  innocence. 

Lee.     Yas,  sah,  I  hopes  so  mahself. 

Eng.     That's  all.  {^Exit  Lee,  l. 

Dr.  C.     Not  much  help  from  that  direction. 

Eng.  No.  He  appears  innocent  enough.  I  don't  believe 
he  ever  killed  a  mosquito  in  his  life. 

Sam  {outside^  knocking  at  door).     Let  me  in,  please. 

(Curt,  opens  door^  c,  and  Sam  enters.) 


26  ON    THE    QUIET 

Dr.  C.     AVell,  Sam,  you  look  pretty  well  tired  out. 
Sam  {dropping  into  a  chair).     I  am. 
Curt.     What  luck  ? 

Eng.     Did  you  find  out  anything  about  the  girl  ? 
Sam.     Yes,  sir.     She's  gone  away.     She  had  trouble  with 
LeBeau 


All.     When  ? 

Sam.     Over  a  month  ago. 

Eng.     And  is  that  when  she  went  away  ? 

Sam.  Yes,  sir.  She  ain't  been  around  here  for  a  long 
while. 

Eng.     Well,  that  lets  her  out.     She  didn't  write  the  note. 

Sam.  While  I  was  over  to  Simpson's,  Mr.  Hatch  telephoned 
up  from  the  store.  He  said  it  was  too  bad,  but  you  people 
would  have  to  keep  Calhoun  and  Strickland  over  night.  That 
there  couldn't  no  one  get  out  here  after  them  before  to-morrow 
morning.  And  a  durned  queer  thing.  He  wanted  to  know  if 
I  noticed  whether  Mr.  Strickland  was  wearing  any  trousers. 
Did  you  ever  hear  the  like  ?  I  told  him,  sure  he  was.  Light 
ones.  He  said  they  told  him  at  the  sanitarium  that  they  didn't 
think  he  had  any  on.  He  had  a  long  coat  with  him,  but 
seemed  to  have  left  all  of  his  trousers  in  his  room. 

WiLK.     Well,  I  guess  that's  why  he  stole  Billy's. 

Eng.     Yes,  one  thing  accounted  for. 

Dr.  C.  We  might  as  well  lock  up  and  go  up  to  bed  as  long 
as  no  one  is  coming  out  here  to-night.  \^Exit  Wilk.,  r. 

Eng.  Yes,  that's  right.  I'm  ready  to.  I'm  dead  tired. 
You  tell  your  father,  Sam,  there  are  several  cots  in  there  and 
plenty  of  bedding.  \^Exit  Sam,  l. 

Wilk.  {entering^.).  Say,  what  do  you  know  ?  Mr.  Hast- 
ings is  dead  asleep. 

Dr.  C.  I  knew  he  would  be.  Come !  We  will  go  up 
quietly  and  not  disturb  him. 

{They  turn  out  the  light  and  ex  eufity  R.  They  leave  the  door 
slightly  open.  There  is  one  ray  of  light  across  the  stage 
from  this  door.  After  a  slight  pause  the  door  at  c.  is 
softly  tried ;  tried  again  more  forcibly;  some  one  begins  to 
work  on  the  lock.  Hast,  enters  R.  He  carries  a  lighted 
candle  which  he  places  on  the  table.  He  wears  a  bath  robe. 
He  listens  a  second.) 

Hast,  {softly,  looking  up  at  head).  Alonzo,  they  think  I 
sleep.     Not  so  !     While  they  sleep  I  do  a  little  detective  work. 


ON    THE    quIET  2/ 

{Suddenly  discovers  that  some  one  is  workitig  on  the  lock  ; 
listens  ;  goes  to  the  mantel  a?id  takes  up  a  revolver  which 
is  lying  there;  listens ;  exits  R.  The  door  is  gently 
forced  open.  Jason  LeBeau  enters.  He  is  a  Cana- 
dian, rather  short  and  heavily  built.  He  carries  a 
leather  bag  and  a  pocket  flash-light ;  listens  ;  moves  cau- 
tiously forward,  stopping  to  listen  several  times  ;  moves  a 
chair  under  the  head,  steps  onto  the  chair,  moves  the  head 
to  one  side,  thrusts  his  hand  back  of  the  head  and  takes 
out  several  sjnall  bags  and  a  lot  of  papers  which  he  puts 
into  the  bag  he  carries.  Hast,  steps  quietly  ifito  the  room 
and  stands  watching  him.  Strick.  enters  L.  His  entrance 
attracts  LeB.'s  attention.     He  turns. ^ 

LeB.     Harry  Strickland  ! 

Strick.  {looking  at  him  a  second  in  wonder,  and  then  sud- 
denly throwing  his  arms  above  his  head  with  a  wild  gesture). 
LeBeau  !     Jason  LeBeau  ! 

LeB.  {with  a  snarl,  ju?nping  down  from  chair  and  starting 
for  Strick.).     Think  you've  got  me,  do  you? 

Hast,  (jumping  forward  and  leveling  his  revolver  at  LeB.  ). 
Stop  !  Look  out !  Hands  up  !  (LeB.  throws  his  hands  up 
and  shrinks  back.  Strick.  stands  looking  about  in  asto?iish- 
ment ;  draws  his  hand  across  his  eyes  several  tifnes.  Hast., 
at  the  top  of  his  voice.)  Mr.  Hincks  !  Ned!  Tom!  Fel- 
lows !     The  house  !     The  house  !     Come  down  !     All  of  you  ! 

Enter  Hincks  and  Sam,  Cal.  and  Lee,  l.  Dr.  C,  Eng., 
Curt,  and  Wilk.  rush  in  r.  All  are  in  various  stages 
of  undress  ;  several  wear  bath  robes. 

Hincks.     Land  o*  Goshen  ! 

Dr.  C.     What  on  earth  ? 

Eng.     Billy,  what  is  it? 

Hast.     Mr.  Hincks,  I've  caught  your  criminal  for  you  ! 

Hincks  {with  a  wild  look  at  LeB.).  Why,  gosh  all  scissors  1 
You  ain't  ketched  the  man  that  done  it  !  You've  ketched  the 
man  that  was  murdered  ! 

Strick.  I  don't  seem  to  understand.  I — I  don't  know  you 
gentlemen,  do  I  ?  I  have  been  ill.  Is  my  father  up-stairs  ? 
Where  is  George  ? 

Lee.  I'se  r-r-right  here,  but  you  am  puffectly  correct,  sah, 
yo'-all  don'  know  me. 


28  ON    THE    QUIET 

Dr.  C.  (looking  a/ Stiuck.  intently).     Mr.  Calhoun 

Hast.     He  isn't  Calhoun.     He  is  Harry  Strickland. 

Strick.  Yes,  1  am  Harry  Strickland.  What  has  hap- 
pened ?     Why  are  you  all  here  ? 

Dr.  C.  (quietly^  leading  Strick.  toward  door,  r.).  Come 
in  here  with  me. 

Hast.  Better  make  sure  of  your  prisoner,  Mr.  Hincks. 
Got  some  hand-cuffs  ? 

Hincks.     Yep,  but  I  think  they's  on  the  kitchen  mantel. 

Hast.     Well,  get  them. 

Hincks.  Gosh  all  scissors  !  I  don't  mean  here.  I  mean 
the  mantel  down  ter  my  house. 

Hast.     Oh,  good-night ! 

Hincks.  Nope  !  Here  they  be  !  (Takes  them  from  his 
pocket.)     I'm  on  my  job  fer  onct  !     (Starts  for  LeB.) 

LeB.     No,  you  don't ! 

Hast,  {shakifig  his  revolver  in  LeB.'s/^^^).  Oh,  yes,  he 
does  ! 

Hincks  (putting the  handcuffs  ontolj^B.).  Land  o' Goshen, 
I  thought  you  wuz  dead  ! 

LeB.  Yes,  you  old  fool,  I  knew  you  would  think  so  when  I 
sent  the  message.  You  ain't  any  more  fit  to  be  a  constable 
than 

Hast.  There,  cut  out  that  line  of  talk.  It  is  Mr.  Hincks 
that  is  going  to  deliver  you  into  the  hands  of  the  law.  Mr. 
Hincks,  your  reputation  is  made  all  right.  This  man  is  wanted 
for  several  reasons. 

Hincks.     He  is  ?     What's  he  been  a-doin'  ? 

Hast.  Stealing  from  traps  that  he  didn't  set,  stealing  from 
banks,  smuggling,  and  this  is  where  he  has  been  hiding  his 
booty.  (Foints  to  leather  bag.)  He's  caught  right  with  the 
goods.  I  suppose  he  thought  his  enmity  with  Strickland's 
father  would  throw  all  suspicion  off  this  place.  Things  were 
getting  too  hot  for  you,  weren't  they,  LeBeau  ?  You  thought 
you  would  spring  a  sensation,  and  in  the  general  excitement 
you  would  take  your  hard-earned  savings  and  get  out.  With 
the  story  abroad  that  you  were  dead,  there  wouldn't  be  any  one 
watching  for  you,  and  by  the  time  people  woke  up  to  the  fact 
that  you  had  hoodwinked  them,  you  would  be  miles  away  and 
no  one  know  in  which  direction  you  went.  You  are  a  pretty 
slick  one  ! 

LeB.  (admiringly).  Not  half  as  slick  as  you  are  yourself. 
I  take  off  my  hat  to  you. 


ON    THE    QUIET  2() 

Eng.  We  all  do,  but  I  don't  see  how  you  know  all  this, 
Billy.     You  surely  aren't  guessing  it  ? 

Hast.  No.  There  has  been  a  number  of  appeals  for  help 
sent  to  Joe  Blain's  detective  agency  from  trappers  down  this 
way,  and  twice  from  Canadian  banks.  They  suspected  LeBeau, 
but  couldn't  prove  anything  against  him.  Joe  sent  a  man  down 
here  to  work  on  the  case  for  a  while.  He  didn't  accomplish 
anything,  for  LeBeau  got  wise  and  was  as  innocent  as  a  three- 
year-old  child.  When  I  heard  the  name  LeBeau  this  after- 
noon I  couldn't  think  where  I  had  heard  it  before.  To-night 
it  dawned  on  me  all  of  a  sudden,  and  when  I  saw  him  standing 
on  that  chair  flirting  with  Alonzo  I  knew  the  truth  at  once. 

HiNCKS  (/^  Hast.).  Young  man,  I — I — you — you  can't 
understand 

Hast,  (^patting  Hincks  on  the  shoulder).  That's  all  right. 
I  guess  you  can  set  these  fellows  free  {indicating  Cal.  ^z/^Lee), 
and  guard  this  other  one.  Look  out  for  him,  for  he  is  the 
genuine  article.  Forward  march,  LeBeau  !  Your  game  is  up 
for  a  while.  Just  stick  your  chest  right  out,  Mr.  Hincks  1 
You  are  the  greatest  man  in  the  county  ! 

[^^//LeB.,  i..^  followed  by  Hincks. 

WiLK.  But  Mr.  Hastings,  there  was  a  note  that  was  found. 
I  wonder  if  LeBeau  wrote  that. 

Hast.  I  suppose  I  shall  have  to  own  up.  That  was  just  a 
little  joke  of  mine,  and  it  happened  to  fit  in  at  just  the  right 
time. 

Curt.     You  wrote  that  note  ? 

Hast.     Guilty,  your  honor. 

Etiter  Dr.  C,  r. 

Dr.  C.  What  I  want  to  find  out  is  how  that  fellow  from  the 
store  happened  to  identify  this  gentleman  (indicating  Cal.) 
as  Mr.  Strickland. 

Hast.  Easy.  If  you  will  take  the  trouble  to  look  at  them 
you  will  discover  a  resemblance,  and  Hatch  hadn't  seen  Strick- 
land for  years. 

Cal.  Well,  perhaps  now  you  will  believe  that  I  am  Vincent 
Calhoun,  and  this  is  my  servant,  George. 

Lee.     Yas,  sah,  dose  am  de  facts. 

Enq.  I  guess  we  will  believe  almost  anything  after  the  events 
of  the  evening,  even  that  you  picked  Billy's  trousers  off  a  rose- 
bush.    You  had   your  little  joke  at  our  expense,  perhaps  you 


30  ON    THE    QUIET 

will  be  kind  enough  to  explain  how  you  happened  to  be  in  our 
house  making  free  with  our  personal  belongings. 

Cal.  Perhaps  you  will  think  I  am  having  another  flighty 
spell,  but  it  is  the  truth  that  I  went  in  swimming,  George  went 
to  sleep,  and  evidently  Mr.  Strickland  came  along  and  stole  my 
trousers.  Also  my  money.  We  came  in  here  wondering  what 
to  do  and  I  started  to  borrow  a  pair  of  trousers.  I  honestly 
meant  to  return  them  to-morrow.  Events  have  happened  so 
rapidly  since  that  I  have  lost  count.  Please  accept  my  apol- 
ogy, Mr.  Hastings.  I  will  return  your  trousers  as  soon  as  I 
can  procure  another  pair. 

Hast.     Don't  mention  it. 

Cal.     Just  why  did  Strickland  take  mine? 

Dr.  C.  Well,  the  officials  at  the  sanitarium  think  he  didn't 
wear  any  when  he  left  there.  We  can  never  know,  but  we  can 
guess  how  he  happened  to  take  yours. 

Hast.     Do  you  think  his  reason  is  restored  ? 

Dr.  C.  It  looks  that  way.  I  don't  dare  to  say  much  to 
him  yet.  It  seems  his  mental  trouble  was  caused  by  an  illness 
he  had  here  several  years  ago.  Something  happened  between 
his  father  and  LeBeau  just  at  that  time  which  left  a  strong  im- 
pression on  his  mind.  The  sudden  shock  of  meeting  LeBeau 
face  to  face,  after  we  had  talked  to  him  as  we  did  about  LeBeau, 
acted  upon  his  brain  and  caused  an  awakening. 

Eng.  Well,  then,  some  good  has  come  out  of  all  this  fool- 
ishness. 

Hast.  A  whole  lot  of  good.  I  am  cured,  too !  I  never 
felt  better  in  my  life  ! 

Dr.  C.  You  incorrigible  scamp,  I  told  you  not  to  mix  in 
this  affair  !  The  next  time  you  have  a  breakdown  I  am  going 
to  take  you  to  New  York,  where  there  isn't  so  much  going  on. 
Deliver  me  from  the  Maine  woods  if  you  want  a  patient  to  have 
a  rest  On  the  Quiet, 


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New  Entertainments 


OUR    CHURCH    FAIR 

A  Farcical  Entertainment  in  Two  Acts 
By  Jessie  A,  Kelley 
Twelve  females.  Costumes  modern ;  scenery  unimportant.  Plays  a«, 
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THE    RIVAL    CHOIRS 

An  Entertainment  in  One  Scene 

By  Sherman  F,  Johnson 
Seven  males,  four  females.  Costumes  eccentric ;  scenery  unimportant. 
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A    THIEF    IN    THE    HOUSE 

A  Comedy  in  One  Act 
By  R,  M,  Robinson 
Six  males,  one  playing  a  female  character  (colored).  Costumes  modern . 
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THE  PRIVATE  TUTOR 

A  Farce  in  Three  Acts 

By  E,  J.  Whisler 

Five  male,  three  female  characters.  Costumes,  modern ;  scenery,  two 
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CHARACTERS 

Fred  Spencer,  who  believes  that  experience  is  the  best  teacher. 

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Miss  Snap,  a  detective. 

SYNOPSIS 

Act  I. — Fred  Spencer's  rooms  at  Clearfield  College. 
Act  II. — The  Spencer  home.  One  week  after  Act  I. 
Act  III. — The  Spencer  home.     Ten  minutes  after  Act  II. 


MISS  PARKINGTON 

A  Farce  in  One  Act 

By  May  E.  Countryman 

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Jl*  m.  Pfnero's  Plays 

Price,  SO  gc'Jts  each 

Min  rUAMNPT  Play  in  Four  Acts.  Six  males,  five  females. 
lull/-vriAllll£«Li  Costumes,  modern;  scenery,  three  interiors. 
Plays  two  and  a  half  hours. 

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THF  PROFIIPATF  Play  in  Four  Acts.  Seven  males,  five 
iri£i  1  I\.\/rijl\J/\l  El  females.  Scenery,  three  interiors,  rather 
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TUr  Cmnni  IWICTDrCC  Farce  in  Three  Acts.  Ninemales, 
inlli  OLnUULlVliOllVILiJiJ  seven  females.  Costumes,  mod- 
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THE  SECOND  MRS.  TANQUERAY  ^lU^^^riX^ 

females.  Costumes,  modern;  scenery,  three  interiors.  Plays  a 
full  evening. 

QWFFT  I  AVFWriFl?  Comedyin  Three  Acts.  Seven  males, 
uWEiEil  Li/\V£ilii/£iIV  four  females.  Scene,  a  single  interior, 
costumes,  modern.    Plays  a  full  evening. 

TUr  TUITMnrDnni  T  comedy  in  Four  Acts.  Ten  males, 
lIlEi  inUllUEilvDtFLl  nine  females.  Scenery,  three  interi- 
ors; costumes,  modern.    Plays  a  full  evening. 

THF  Tf  MFQ  comedy  in  Four  Acts.  Six  males,  seven  females. 
inCi  lllTlEiiJ  Scene. a  single  interior;  costumes, modern.  Plays 
a  full  evening. 

Tlir  WPAITCD  QFY  Comedyin  Three  Acts.  Eight  males, 
in£i  tT£i/\Iv£iI\  uCA  eight  females.  Costumes,  modern; 
scenery,  two  interiors.    Plays  a  full  evening. 

A  WIFE  WITHOUT  A  SMILE  Sr,'Lls,fJa"fe4?^l: 

Costumes,  modprii ;  Bcene,  a  single  interior.     Plays  a  full  evening. 


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AS  Yfln  I IITF  IT  Comedy  in  Five  Acts.  Thirteen  males,  four 
At?  IVU  MAL(  11  females.  Costumes,  picturesque  ;  scenery,  va- 
ried.   Plays  a  full  evening. 

CAMU  f  F  I^rama  in  Five  Acts.  Nine  males,  five  females.  Cos- 
VAlUll^Lfii    tumes,  modern  ;  scenery,  varied.    Plays  a  full  evening. 

INIinMAff  I*l*y  ^o  Five  Acts.  Thirteen  males,  three  females. 
lilUUuliiA    Scenery  varied ;  costumes,  Greek.    Plays  a  full  evening. 

MARY  STFAKT  Tragedy  in  Five  Acts.  Thirteen  males,  four  fe- 
Uli&IM  tJlUAni  males,  and  supernumeraries.  Costumes,  of  the 
period ;  scenery,  varied  and  elaborate.     Plays  a  full  evening. 

THE  MERCHANT  OF  VENICE  S>aTetfb'?ef.^^?^l;  IZt^X 

picturesque ;  scenery  varied.     Plays  a  full  evening. 

RICHPT  IFII  ^^^y  ^^  ^^^^  Acts.  Fifteen  males,  two  females.  Scen- 
mvuUylLtU  ery  elaborate ;  costumes  of  the  period.  Plays  a  full 
Evening. 

mRIVAI  S    Comedy  in   Five  Acts.     Nine  males,  five  females. 
AI  T  ALiJ    Scenery  varied ;  costumes  of  the  period.    Plays  a 
full  evening. 

SHE  STOOPS  TO  CONQUER  SXXir  S.»t°'lcen^/;  vll^ 

rled ;  costumes  of  the  period.    Plays  a  full  evening.  < 

TWELFTH  NICiHT;  OR,  WHAT  YOU  WILL  •i^r%^Ji:i 

three  females.  Costumes,  picturesque ;  scenery,  varied.  Plays  a 
full  evening. 


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